The Rise of Girls’ Love Across Asia (Plus a Bonus for All Access Members)

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Girls’ Love is on the rise throughout Asia. In some Southeast and East Asian countries, TV series marketed as Girls’ Love are gaining popularity. Shortly after the COVID-19 pandemic, many production companies in the region began producing these TV series, which are attracting young audiences.

But GL as a genre is nothing new. Like its counterpart, Boys’ Love, it has evolved over time. Each country in Asia has its own distinct approach to showcasing these genres. In China, it’s mostly spread through literature, but the content can be heavily censored. In South Korea, it’s more accessible with manhwa. In Thailand, it appears more frequently in mainstream TV series. However, Chinese and Korean GLs are following in the footsteps of the Thai’s. Regardless of format, GL and BL follow the same formula.

The positive reception of GL and BL series in Asia is somewhat surprising. Let’s look at why audiences are becoming more engaged.

A Brief Introduction to Girls’ Love

Girls’ Love is a media genre that focuses on the relationships between girls and women. In the past, GL and BL referred to Japanese works, as the terms originated in Japan. Both have evolved into their own respective genres, which don’t necessarily reflect their country of origin.

These days, GL and BL can sometimes serve as marketing labels. Light novels, webnovels, anime, manga, Wattpad stories, and TV series that are plot-driven and end in Happily Ever After can all be classified as such. Recently, though, there’s been a heated debate in many circles about what constitutes a BL (Is the Canadian-produced Heated Rivalry a BL? Is BL or GL exclusively Asian?), but that’s a topic for another day.

Some notable GL works include Takako Shimura’s Aoi Hana (Sweet Blue Flowers) and Oyuki Konno’s Maria-sama ga Miteru (The Virgin Mary Is Watching or Maria Watches Over Us).

Why Asian GL TV Series Are Booming

Asian GL TV series are becoming increasingly popular, particularly those produced in Thailand, and what drives this demand for GL content is something cultural.

Thai GL like GAP: The Series, which was adapted from the novel of the same name by Chao Pla Noy, and The Loyal Pin were huge hits when they first came out post-pandemic. The “love team” or pairing of Thai actors Freen Sarocha and Becky Armstrong (“FreenBecky”) built a large and loyal fan base. Their shows found success as they’re primarily rooted in the culture of love teams, in which a pair of actors lead a TV series. This kind of arrangement is especially common in Thailand, the Philippines, and South Korea.

Other popular GL love teams contribute to the genre’s continued rise: “Englot,” the popular “ship” name for Thai actors Engfa Waraha and Charlotte Austin, who starred in the series Show Me Love, Love Bully, and several other series; and Milk Pansa Vosbein and Love Pattranite Limpatiyakorn, who starred in 23.5, Whale Store xoxo, and several others. Some of these pairings are so popular that several sold-out fan events were even held across Southeast Asia.

Thai GL undoubtedly dominates the competition in the region. Other series, such as Reverse 4 You, Blank, and Love Senior, are also massive hits, but yuri adaptations into GL TV series and even anime are also highly regarded.

Bloom Into You by Nio Nakatani, a Japanese yuri manga with an anime adaptation, is a coming-of-age romance following high school students Yuu and Tuokoi as they navigate their teenage romance. Queendom by Salmon, which has been adapted into a Thai GL series, is an enemies-to-lovers romance that follows two girls named Rey and Print who have been rivals since they were children and continue to be so as adults. The Secret of Us by Mee Nam, a yuri novel turned Thai GL TV series, is a second-chance romance that follows Fahlada as she meets Earn during her study abroad. Romance sparks between the two, but Earn abruptly leaves Lada hanging.

GL’s huge popularity in Asia also stems in part from people’s desire for happy stories that make them feel good. GL usually has a happy ending, which is a nice reprieve from stories about queer suffering.

This trend of looking for a happy ending in stories picked up after the height of the pandemic, when people were looking for an escape from the tragedies in the news. People seek to escape the world’s dark reality, and Thai GLs almost always lead to happily ever afters. When I wrote my article about bookish predictions for 2024, many experts I spoke with had predicted a similar trend: readers want escapism and feel-good stories in the midst of worldly tragedies.

Resurgence of Boys’ Love

BLs were once limited to written and visual content, such as manga and manhwa, but they have since expanded to a variety of other formats over decades. But it wasn’t until after 2020 that it became an enormous success in Asia.

At the moment, an abundance of BL live-action TV series are being produced in Thailand. The 2gether: the series, which was adapted from the 2019 webnovel Because We Are Together by JittiRain, was such a phenomenon that it spawned cult followings throughout East and Southeast Asia, paving the way for more BL TV series in the region. In the Philippines, BL made waves with the pandemic-made and Emmy-nominated Gameboys. BL TV series also became popular in Japan, South Korea, Taiwan, and other neighboring Asian countries.

But while Thailand is a conservative country, it’s generally accepting of the LGBTQ community. In fact, it’s the only Southeast Asian country that recognizes same-sex marriage. Because of this positive development, GL and BL stories have gained widespread acceptance.


The success of Asian GLs and BLs could be replicated in other markets. Unfortunately, homophobia remains prevalent in many parts of the world.

This surprising rise of GL and BL in Asia may not be enough, but it does provide a glimmer of hope for future change, not only in this part of the world but possibly elsewhere.

All Access Bonus: Behind the Scenes of The Best Romance of the Century So Far

Earlier this month, we released our Best Romance Books of the Century So Far, the latest installment in an ongoing series on the Best Books of the Century So Far (stay tuned for more!). Today, we’re giving All Access members a peek behind the scenes, offering brief insights into the selection process and, for all you curious cats, a look at the titles that didn’t make the list.

The 50 titles that made the final cut were chosen from an initial list that was almost twice as long. We began with nominations from our contributors and staff, then got the easy parts out of the way: ensuring the publication dates were within this century, removing duplicate submissions—that sort of thing.

Then came the hard part: choosing which titles to include and which ones to cut. Here is where the question-asking commenced: Did this book crack our hearts wide open? Did the chemistry leap off the page? Did the book make a huge immediate splash? Was it a sleeper hit? Did this book redefine the genre, or blur the lines of a few? Are we controlling for recency bias? Are we capturing diverse perspectives? Some of it is scientific, some of it is vibes.

If you haven’t already, check out the final list; we hope you’ll see some of your favorites there, and also add some titles to your TBR. As a bonus, below you’ll find the titles that didn’t make it to the last round. Some of these are from authors whose other book(s) made the final list, including different installments in the same series. All of them are fantastic in their own right.

What books would you add to the list? Let us know in the comments!

A Bollywood Affair by Sonali Dev

A Caribbean Heiress in Paris by Adriana Herrera

A Lady for a Duke by Alexis Hall

A Love Song for Ricki Wilde by Tia Williams

A Study in Scarlet Women by Sherry Thomas

Act Your Age, Eve Brown by Talia Hibbert

An Extraordinary Union by Alyssa Cole

Bride by Ali Hazelwood

Delilah Green Doesn’t Care by Ashley Herring Blake

Demon’s Dream by Elle Kayson

Forbidden by Beverly Jenkins

Hot Target by Suzanne Brockmann

How to Find a Princess by Alyssa Cole

I Think I Might Love You by Christina C. Jones

Legends and Lattes by Travis Baldree

Liar City by Allie Therin

Lights Out by Navessa Allen

Natalie Tan’s Book of Luck & Fortune by Roselle Lim

One Night in Hartswood by Emma Denny

Private Arrangements by Sherry Thomas

Rebel by Beverly Jenkins

Secrets of a Summer Night by Lisa Kleypas

Slave to Sensation by Nalini Singh

Something Wild & Wonderful by Anita Kelly

Stars in Their Eyes by Jessica Walton

Take the Lead by Alexis Daria

The Bride Test by Helen Hoang

The Day of the Duchess by Sarah MacLean

The Dragon’s Bride by Katee Robert

The Duke Who Didn’t by Courtney Milan

The Everlasting by Alix E. Harrow

The House in the Cerulean Sea by TJ Klune

The Long Game by Rachel Reid

The Lotus Palace by Jeannie Lin

The Magpie Lord by K.J. Charles

The Nightmare Before Kissmas by Sara Raasch

The Prospects by KT Hoffman

The Secret Lives of Country Gentlemen by KJ Charles

The Seven Year Slip by Ashley Poston

The Very Secret Society of Irregular Witches by Sangu Mandanna

The Wolf at the Door by Charlie Adhara

Turning Twelve by Kathryn Ormsbee

When Dimple Met Rishi by Sandhya Menon

When the Moon Was Ours by Anna Marie Mclemore

Whiskey & Ribbons by Leesa Cross-Smith

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